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Wednesday, 29 December 2010

Stewart Who?

Bio:
Name: Stewart Who?
Hometown: Kingston-Upon-Thames
Occupation: Editor, Writer, DJ, Lush



H: First of all: Stewart, what is the story behind your DJ name?

S: Many, many years ago, in the early days of QX, all the contributors wrote anonymously.
This meant that when I rocked up to a club/event/sex party and said, ‘I’m Stewart, from QX Magazine,’ they would quite naturally respond, ‘Stewart who?’ It kinda escalated from there.

Image by: Jay Eff


H: Stewart, how/when did you start writing songs and do you remember the first ever song you wrote?

S: Well, writing songs sounds terribly grand and totally inappropriate.
It implies musical knowledge, key changes and chord structures- of which, I’m largely ignorant. Leonard Cohen, Elton John, Nick Cave; they’re song writers.

At best, I turn a stream of consciousness into a semi-poem and then put a bangin’ Donk on it. It’s something, but it’s not song writing.
The first effort was ‘Twisted’. I wrote it in a greasy spoon cafĂ©, over a Full English lardfest, just off
Brick Lane
. Ten minutes later, we walked into a studio and recorded it. Rock & roll, eh?


H:  You have done vocals on many tracks (Most famously "Twisted); have you ever turned anyone down and why?

S: Er, no, never. How rude would that be?
If an artist of any calibre shows an interest in working with me, I get hugely excited and terribly flattered.
The initial creative process is always so much fun. Further down the line, with the marketing, production, finances and label hoo-ha, it can get a bit stressful, time consuming and/or boring.



H: Apart from writing tracks, you DJ as well. What places/where?

S: Anywhere. Sometimes I play as my alter ego, DJ Dick Rock.
He wears leather/rubber and is very fond of a drink.
His music is quite tribal, minimal, not-so-vocal and perfect for darkrooms. He’s resident at RUT at The Hoist, but also played Hotwired and Tank this year.
My gigs really vary. I did several weddings in 2010, the opening gala party for El Lugar Sin Limites film festival in Quito, Ecuador and the ‘asymmetrical fringe’ launch of Easton Regal’s hair salon in Farringdon. Princess Julia cut the ribbon - it was VERY high end.

I also DJd at an Xbox party at the Natural History Museum where the dancefloor was an ice rink and entertainment came from Leona Lewis and The Wanted.
I asked Leona to MC over my set, but she never got round to it.
The Wanted were less shy than Leona and pushed up against my decks with no hesitation. It’s the first party I’ve played that’s been reported in the Daily Mail.


H: How do you keep up with what's happening within the music industry these days?

S: Most of my mates are DJs, producers, music PRs or performers of some shape or form.
That’s a whole lotta gossip - you learn a lot from that.
My job at The Hospital Club requires a certain amount of music coverage.
Every week, I listen to Gill Mills’ Best of MySpace, which is a scorching showcase of new bands.
When you love something, it’s not an effort to keep up, ‘cause it’s what you’re naturally attracted to. I’m always interviewing emerging bands and artists for the site, which keeps me in the loop and on my toes.



H: There is a lot of controversy surrounding blogs that provide downloads/download links. What is your opinion on this?

S: That’s a toughie. As an (occasional) artist, one doesn’t like to be deprived of income due to file sharing and illegal downloading. Having said that, policing the internet is a pointless exercise.
I never got into this game to make money, I’m sincerely jazzed that someone might want to listen to or share music that I’ve had a finger in creating. Given a choice, I’d rather people play it, than pay for it.
The first release of Twisted in ’97 included an a capella on the 12” vinyl. The idea was that anybody could do a remix/bootleg if they wanted to. Give it to the kids. Let ‘em have fun. Fuck the big corporations. That’s what I say. Viva WikiLeaks.



H:  You have often worked with one of my favourites remixers, Wayne G - how did this collaboration come about?

S: Well, a very long time ago, Miss G used to do accounts for QX Magazine, back when I was writing for them.
One day, Wayne asked to sample my answer phone message, to use for a dance track. I suggested writing something original. That was the start of what has turned into a 15 year working relationship/bender.


H: Speaking of Wayne: he has done a 2010 remix of Twisted - were you involved in this new version?

S: As if. Occasionally, I might chip in an idea, but Wayne’s the expert, so I respect that. He’ll play ‘work-in-progress’ mixes to me and ask for honest feedback. Sometimes he acts on it.  Often, a suggestion from yours truly will be what he was feeling anyway.
We share many common traits; we both love pop music, unsuitable men, weepy films, chemicals and Helen Mirren. Hopefully, that comes across in our music.


Artwork by: H.


Twisted ( Wayne G 2010 Private Mix):
http://soundcloud.com/wayne-g/twistedsc


 
H: Together with Wayne you did the controversial "Twisted" movie.
Were you worried about the possible negative backlash because of the drug-taking in the movie?

S: Hmmmmmmmmmmmmmmmm. Yes and no. I’ve never made any secret of my chemical proclivities in the past OR the inherent danger therein. I wrote about clubs, drugs and partying on an almost weekly basis at QX, so I was never gonna be a Blue Peter presenter.

The film wasn’t a surprise to anybody who’d been a clubber in the ‘90s.
The film wasn’t aimed at homophobic, teetotal Telegraph readers.
It’s supposed to reflect a 4-year snapshot in club culture…and a friendship.
It’s not an instruction manual on how to live.

We were accused of promoting a ‘deathstyle’- as opposed to a lifestyle. We loved that.
We’ve never condoned our behaviour and the film leaves it up to the audience to decide.
One thing is true, you can get away with it for a while, sometimes years, but eventually, the drink & drugs WILL fuck you up.

There. I said it.



H: There are many songwriters out there, what makes you different from them?

S: Er, I can’t sing. I don’t pay much attention to structure.
I write about the dark, evil realities that lurk in shady gay nightclubs. That separates me from say, Justin Bieber or Taylor Swift, right?


H: Talking about DJ's & Remixers: Who are your favourites?

S: Wayne G, of course. Ralphi Rosario. Per QX. Paul Goodyear. Hex Hector. Frankie Knuckles. Danny Tenaglia. Pagano. The Sharp Boys. DJ Sneak. Todd Terry. Armand Van Helden, Andy Allder (Producer of "Through The K-Hole).
There’s heaps more, but I don’t wanna bore ya.




H: Do you still get nervous when doing a set?

S: Gosh yeah. It’s good too. The terror can really focus your concentration.
A packed, raring, enormous dancefloor is a scary beast to contemplate- because there’s a chance that when you start, they’ll start leaving.
Failure’s very evident in those circumstances.
On the other hand, success can be very gratifying.
About 5,000 screaming ravers at Casa das Caldeiras, Sao Paulo, Brazil…..that was probably the most nerve racking gig. It was the biggest buzz when it worked, too.


H: You have just done a remix set at Sweatbox in London
(Wearing nothing more than a bikini).
Can you tell a bit about this?

S: What can I say? The theme was ‘Beach Party’. I embraced it.
I love DJ-ing in unusual environments. It’s not the first time I’ve spun in a sauna…or in a 2-piece, for that matter. A bikini can cheer up most occasions.
Wear one to a funeral; people soon forget their grief.


H: You did a naked photo shoot for Australian magazine "Blue. How did all this come about and how did it feel going all nude?

S: Well, it wasn’t the first time. Might not be the last. It came about when ‘Twisted’ was Top 20 in Australia, so for Blue, it was a coup to have a Gold-selling artist in the buff.
For me, it was an honour to be asked.

The photographer was Michael Brosnan, who I knew quite well, so it was all quite cosy. I did a few dodgy photo shoots in my late teens, so it was a nice step up to be nude in one of the world’s most respected art/fashion mags.
It was tasteful; I wasn’t fingering my giblets or anything.


H: What are you working on at the moment?

S: Hosting Queer Question Time is an ongoing project.
Promoting occasional Studio 24 parties.
I’m still making music, but nothing I can talk about just yet.

H: The Pop/Dance/NRG scene has changed a lot over the past 10 years I think, do you agree and if so, in what way has it changed?

S: People have died, got older, moved on. Thankfully, there’s a new bunch of kids turning out tunes.
Recreational drugs have changed- that creates different moods. Ultimately, you have to remember that everything is brilliant when you’re 19. If you don’t enjoy discos when you’re 40….duh! Go home. Of course it’s changed, that’s evolution.


H: The dance scene has a huge Gay following, do you have any idea why that is?
S: We don’t have kids. Much. We like to dance. We like to party. We like to socialise.
Often, nightclubs are one of the few places where we can truly be ourselves.
Your true self might be an evil, screaming, frothing, wanking drug addict, but it can be very satisfying to work that out. Sometimes it takes years.


H: Pride season has now ended; did you go to any Gay Prides and if so: which one(s)?

S: I played the official Pride Party at Koko with Wayne and the Freemasons. Can you imagine?

That was scary, handing over to the bloody Freemasons (who are lovely fellas).
I enjoy going to the smaller Prides- regional or in far flung, vaguely homophobic places.

‘Pride’ takes on a different meaning when you can be kicked to death for showing it.
I went to Gay Pride in Riga, Latvia, which required thousands of armed riot police to protect the marchers from violent neo-Nazis. That made me think.



H:
 If you were to name your all-time favourite track that you have done, which one would it be?

S:  Twisted, I guess. But I also like to think it’s yet to come.

Original (banned) Twisted video:



H: Trademark has done a fantastic portrait of you, how did this come about and what do you think of the result?

S:  Marsha and I go way back. We worked together for years at Trade, Turnmills. He was managing the club and I was on the door. Those were crazy, messy years and as survivors of that experience, we’re like war veterans.
When his work graced the cover of QX, those copies flew out the bars and people had ‘em framed and up on their walls within weeks.
He asked me to sit for him, which was an honour. We had a hoot during the shoot…and the results are magnificent.
He’s a gent, a wit and a dazzling talent. Love Marsha.



H: What is your favourite hang-out?
S:  The Royal Vauxhall Tavern. It’s my Rover’s Return.



H: What is your favourite tipple?
S: Chamaretto (Champagne & Amaretto).



H: You are to host/have the perfect party; who would be your dream guest list and why?
S: I guess at this point, one reels off dead people, rock stars and icons.
Truthfully, having my mates round for dinner is the best joy there is. I managed to get 12 people over for dinner recently, and it was all my gang who’ve been partying with me for the past 15 years or so. That made me SO happy. They’re a rum bunch, and getting them together in one place at the same time, on the same date, is like juggling maggots.
The result is always explosive and hilarious.

That’s my dream party, the people I love.



I would like to say: HUGE thanks to Stewart for taking the time to do this Tete.
Thanks babes :-)


H.Xx

Wednesday, 8 December 2010

Matt Pop

Bio:
Name: Matt Pop
Age: 41
Hometown: Amsterdam
Occupation: producer / composer / remixer


H: Matt: How/when started doing your remixing?
M: When I was 16 - which is more than 20 years ago now - I was already playing along my Yazoo albums on a tiny Casio PT30 keyboard and recording the results on cassettes.
I also recorded my own compositions, using a simple multi-track recorder.
Not only was this a way of adding more and more parts, it also resulted in some very impressive tape noise build-up.


H: What artist is top of your list to remix for and why?
M: ABBA! I have been a huge fan ever since I can remember, and there never have been  officially approved club remixes.
I have done a few bootleg ABBA mixes that are very popular among fans, but it would be such a thrill to get access to the original acapella's

H: Apart from remixing, do you DJ as well and if so: what kind of places/where?
M: I do, but it has been a while. I have DJ'd at fetish dance party Wasteland a few times, in Amsterdam and Rotterdam. Also, every year I do the soundtrack and queuing for a drag show here in Amsterdam, where I usually DJ afterwards and get to play camp and obscure stuff


H: How do you keep up with what's happening within the music industry these days?
M: A bit hit-and-miss, really. As so-called music stations like MTV and, here in the Netherlands TMF, are playing less and less music videos, I hardly ever watch those anymore. Sometimes I'll hear a good new tune on the radio and often I'll do an afternoon of i-Tunes shopping where I start looking for a specific remixer, band or a song, and end up buying 10 totally unrelated tracks.


H: There is a lot of controversy surrounding blogs that provide downloads/download links. What is your opinion on this?
M: It depends. If it is a track that is unavailable to buy, or a remix somebody has done themselves, I can't see how it harms the music industry.


H: You produce your own instrumental tracks; have you considered doing a track with vocals and if so: who would you like to work with then?
M: Funny you should ask! I have just mixed a song called Intoxicated, that started life 10 years ago as an instrumental I wrote, called Allegro. Songwriter/producer/singer Peter Wilson in Australia, who co-produced the new Haywoode album with me, loved it so much that he wrote lyrics for it and recorded it! It will now get a second life as a vocal track. It has a really sunny, Italo flavour to it.


H: There are many well known DJ's/Remixers out there, what makes you different from them?
M: There are remixers that seem to know a lot about production technique but not much about chords and melodies. I play the piano so that definitely helps make my remixes more musical, I think.
Also, some remixers seem out to destroy the track they are supposed to remix. I will usually try and keep the track intact, just dress it up differently.


H: Talking about DJ's & Remixers: Who are your favourites?
M: For gorgeous vintage sounds: Rex The Dog; to dance to: Seamus Haji; for well-produced mainstream: Freemasons. Also: Bimbo Jones, Soul Seekerz, Dave Aude, Wideboys.

H: I understand that you are currently working on remixes for: Klone Records, Pumpin' UK and Almighty Records - how did this come about?







M: It really started with my mix of Master & Servant for British band Massive Ego. The track was released on Klone Records, then people at Pumpin' UK heard it and included it on the Pumpin' Anthems 2 compilation. That started a ball rolling that has led me to the Almighty label.


H: The Pop/Dance/NRG scene is a lot bigger in the UK then it is in The Netherlands, would you ever consider moving to London (For example)?
M: I do have a great fondness for the UK and the way people seem to understand campness and fun in music. So I am very happy that most of my work is now released by British labels. I have no plans of moving there , but I will definitely visit the UK again in the future.


H: High NRG appeals very much to the Gay community, why do U think this is?
M: It seems that this is one of those Gay-cliche's that simply are true: many a gay man loves to dance to a happy tune! I can't explain it either.


H: Pride season is in full swing world-wide; do you go to any Gay Prides and if so: Which one(s)?
M: I am not one of those Gay migrating birds that fly around the world to wherever the party is that day. But my hometown Amsterdam has a great Gay Pride with the famous canal boat parade and many street parties, so I usually go and have a drink with friends.



H: Matt, you did 4 remixes for the world's best known Drag Queen: RuPaul - Dragrace.
How did you get involved with this project?
M: It was a Youtube fairytale: I did a bootleg remix of Rupaul's track "Let's Turn The Night" last year, put it on Youtube and it got great response from fans.
I remember wondering whether Ru had heard it himself.
Turns out he had! He liked it so much, that he wanted to release it and straight away asked me to remix two more tracks from his album.
I was a happy man. Ru is pretty cool.



H: What is your favourite hang-out?
M: I don't have one! I used to go clubbing in Amsterdam at the Exit (closed down), Roxy (burned down) and the, ahem, Cockring (haven't been in ages). I wish there was a club that would play uplifting vocal pop. Maybe move to London after all? 


H: You are to have/host the perfect party; who would be your dream guest list and why?
M: I would love to have my recently deceased best friend Jaap there, the biggest music lover I ever knew. I would also love to talk about music production with Benny and Bjorn from Abba, Trevor Horn, Max Martin and Daniel Miller. In the cool corner would be John Waters, Matt Stone and Trey Parker, Amy Sedaris, Jane Turner and Gina Riley and Kathy Burke. And I wouldn't mind pouring Baby Daddy from Scissor Sisters a drink :-)




With a huge thanks to my fabulous friend
Matt Pop


H.Xx

Trademark (Mark Wardel)

Mark Wardel


H: Mark, when did you start working on your art and how did this come about?
M: Art was the only thing I was ever good at at school and as an only child with no parents, drawing was my refuge from the traumatic circumstances I found myself in.

H: Did you study at an academy of Arts or study Graphic Design/Painting/............. and if so: What/where?
M: I studied at a small, not very good provincial art school near Liverpool, I did a mixture of graphics, illustration and painting which, I think is why elements of those 3 aspects can be found in my work. 
Tasty Tim (2010)

H: You are probably first known for flyers for Trade, hence the name... How did you get involved with Trade?
M: I had been friends with, and producing artwork for the group that (Trade founder) Laurence Malice was performing in back in the 80's and so when he decided to start Trade it was natural and obvious that he would ask me to produce the visual aspects of the club.
Laurence Malice (2010)


H: Mark, can you explain how the process of creating your art work?
M: I usually collage together an image from photographs, either that I have taken or from other sources such as magazines, I may use a head from one source, a face from another source, an upper body from another etc.
I then use this image as a reference and recreate it as an oil and acrylic on canvas  painting.
My figures are usually a kind of Frankenstein creation unless of course it's a portrait of a real person but even then there is a lot of manipulation going on, they are never straight forward copies of a photograph.
Kylie Space Portrait
(Commissioned for the Showgirl Homecoming Tour 2006/2007)

H: Have you ever consider doing work-shops or are you doing these already?
M: I haven't done yet but the idea does excite me so I may consider it.

H: Which artist/painter do you see as your inspiration?
M: The obvious answer is of course Warhol, who I met and who bought a painted tee shirt from me shortly before he died. I was also influenced by a lot of New York artists from the 70s and 80s, e.g. Richard Bernstein, Steven Sprouse, Edward Bell, Allen Jones and punk graphics.
David Bowie (2010)

H: Which celebrity is top of your list to do a portrait of and why?
M: I am currently more interested in painting people I know on the underground music/fashion scene than big celebrities so I don't really have a wish list, however if any celebrities want to commission me I would be more than happy to oblige.

H: on that note: Have you ever been asked to do someone's portrait and

turned them down? (Don't worry, I am not asking for names/details/specifics unless you are fine disclosing it)...
M: Yes, a few times, but no names!


H: I would love to be "Trademarked", as I'm pretty sure many people would. Do you do commissioned work like that and what price would I be looking at then? M: Yes I am currently accepting portrait commissions, prices vary of course but current average would be about £3000 - £5000 for a 40 x 40 inch portrait although smaller ones would be less.
Princess Julia (2010)

H: Mark, what is the average time between start and finish of a piece?
M: That can vary enormously depending on many different factors such as if there is a deadline, if the painting works out easily, how many other artworks I am producing etc. a portrait can take anything from a week to a month.


Trademark/Scene Exhibition
A-Listers, Heroes & Heroines (2010)

H: You are currently having the (Amazing) new 
exhibition; what is next on the agenda?M: I am producing the visuals for a new club night "The men who fell to earth" for Rebel Rebel's Tony Fletcher and I am also planning my next exhibition and in talks to show TRADEMARK/SCENE elsewhere, possibly New York also one of my paintings is being used as an ident image for the 'Creatives' department of the new Liverpool museum due to open next spring and the original painting will also be on show at the museum.
H: Your work is quite "Gay-themed" one would say; do you see this as a hindrance as far as media exposure is concerned?
M: To a certain extent I think it is as I feel the media build up an exaggerated perception of what you are about and although I am  happy being acknowledged as a 'gay' artist, I think the perception is out of date.



I see advertising  imagery for men's underwear etc. on the side of busses and billboards that is more homo-erotic than my stuff, the male body is now being used as an advertising tool in the way that women were in the 60s and 70s. "men are the women of the "noughties" and the whole media landscape looks rather "gay" to me!
Paul Burston (2010)

H: If I were to ask you which of your works is your favourite, what would you say and for what reason is this "The One" for you?
M: That's impossible to answer as I don't think one is ever fully satisfied with any work, there is always the thought that you could have done it differently or better.

H: Given the nature of the club scene and it's links to fashion, have you (Considered) moving into the fashion area?
M: I already have, I worked with William Baker (kylie's creative director) on all the visuals for his Bboy range of men's underwear a few years back and I am also planning to put together a TRADEMARK label to produce tee shirts etc. in the near future.
William Baker (2010)


H: Do you get many requests from people to be "Trademarked" and what are the criteria for you to paint their portrait?
M:  I don't think too many people are aware that I do commissioned portraits, all they gotta do is ask. 
Stewart Who? (2010)

H: The Internet is THE greatest technological revolution of the 21st century. In what way has this effected you as an artist?
M: It has affected the way the work is disseminated and publicised etc. more than the actual production which is still hand painted oil on canvas mode.

H: You are to host the perfect party; who would be on the dream guest list and why?
M: Bob Collacello; he was Andy Warhols' right hand man in the 70s and has all the best gossip, Diana Vreeland, the editor of American Vogue in the 60s and 70s; possibly the most stylish woman who ever lived.
Angie Bowie, ex wife of David and the force behind Ziggy Stardust and the whole glam movement, I would have to have George (Boy) there as well as all the subjects of TRADEMARK/SCENE.
Stewart Who? (2010)

H: Finally: Mark, what advice would you give a budding artist?M: Back up your ideas with some traditional skills, I think it's very important to be able to paint and draw.

The Men Who Fell 2 Earth (2010)
  Note: This image only became available after the original post date)



 
With a HUGE thanks to Mark for this interview!
In addition, big thanks to Paul Burston for the introductions; thx babes Xx

All images kindly provided by: Trademark
All images copyright by: Trademark
http://www.trademarkart.com/



H.Xx